"There generally is a reluctance towards letting women in," she said. "It wasn't until Ars Murano that I felt at home as a glassmaker. Here, they respect me. There's a complete lack of ego."Mentasti agrees. "In the world of Murano, design has been the greatest conquest for women," said the historian. "It's the space where they have been able to form meaningful relationships with the glass workers and, in a way, redefine the 'rules' of who is and isn't allowed in the workshop."
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